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Wednesday, 4 January 2017

Magazine Watch: The Star Trek Graphic Novel Collection

Star Trek fans will be interested in the new part work from Eaglemoss Publications - each issue is a hardcover graphic novel reprinting stories from 50 years of Star Trek comics. The first issue - Countdown,  features the prequel story to  J. J. Abrams' 2009 Star Trek reboot as well as the first ever Star Trek comic strip with 1967's Planet of No Return which was originally published by the iconic, Gold Key Comics.

Each hardcover is well put together - they really are handsome editions - you can pick up a bargain with the first issue, currently available, at the low price of £1.99 - the regular price will be £9.99 which is pretty good value given the quality of these hardback editions.

When the series is complete it will have collected strips from Gold Key Comics, DC, TV21, Malibu Comics, Paramount Comics, Wildstorm Comics, Tokyopop and IDW and will have featured sequels to original stories, movie adaptations, and  lost tales (scripts that were never filmed). Many superstars of comic writing will have credits as well as familair names from the writing staff of all iterations of the TV series.

More info HERE

Thursday, 22 December 2016

Hooked on Trapped

I've just binge watched another slice of Nordic Noir - ten episodes consumed over five days makes for an intense experience. This time out it is Trapped, an Icelandic drama, that has all the dark chilly beauty of shows like The Killing, but adds a claustrophobic kick ass blow

Andri (Óladfur Darri Ólaffson), a hulking bear of  a man,  is the police chief of Seyðisfjörður - a bleak little place at the end of a fjord in the east of Iceland. In winter, it’s dark, it's freezing and the aftershocks of the 2008 financial crisis are still being felt. If that wasn't enough darkness Andri also has to contend with his marriage falling apart before his eyes - his wife returns to town with her new boyfriend and just when it couldn't possibly get any more miserable for Andri the killings start and are then followed by a storm which cuts Seyðisfjörður off from the rest of the world.

Directed by Baltasar Kormákur, who shot the Hollywood thriller Everest, the camera lingers on thick grey seas, horizontal snow and huddled houses, which creates a real feel for the remoteness of the setting. The plot is clever and expertly served up across the ten episodes so that when the final twists are served the viewer is left exhilarated. A action packed final ten minutes are the perfect ending to what is another compelling piece of crime drama from the Nordic genre-masters.

Fine more info on Nordic Noir HERE

I'm hooked on Scandi dramas and over recent months have binge watched The Killing, The Bridge, Borgen and now my latest obsession, Trapped. It is clear that the Danes and Swedes have much to teach about TV craft. The Killing took 20 episodes to solve one murder – a series length, and slow rate of progress, that would have been unthinkable for a UK production. Both Borgen and The Bridge are visually stunning, with as much attention paid to the production design as to the plot, and the actors who fill the roles in these series are believable and seem real - we don't so much  see the actors, but the characters they create for us. And even when the plot is barking mad, as is the case with The Bridge, there is a level of realism that gives the shows an air of authenticity.

That's not to say we Brits can't do grit when we want to - Happy Valley, Broadchurch and The Fall are three homegrown shows that are as good as the Nordic dramas, but would any of these have followed the blueprint for grimy realism had not The Killing been such a hit worldwide? I think not for The Killing showed that a serialised narrative, when done right, could keep viewers gripped for an entire run. It allows for the characters to be slowly shaped across a large canvas and quite simply is responsible for some absolutely brilliant TV drama.

'The countries that the Nordic writers call home are prosperous and organized, a “soft society”  But the protection offered by a cradle-to-grave welfare system hides a dark underside.' Nowegian crime writer, Jo Nesbo.

 There is an interesting article HERE that looks at the obsession with Nordic Noir

Wednesday, 21 December 2016

Magazine Watch: Classic Rock Magazine Folds

The digital world has many benefits but there is also a downside and for years now the publishing industry have struggled to find their place in this new world  -  The news-stand magazine business is a case in point. It has not been healthy in recent years but all the same the news that Team Rock, publishers of such well known titles as Classic Rock and Metal Hammer have gone to the wall, came as a shock. Publications from this company were common in UK shops and have an army of loyal fans - it seems that in today's market having a loyal readership doesn't count for much -  Reports are that 73 jobs have been lost within the once powerful publishing company.

It had been reported in 2015 that the company was £11.7 million in debt, a figure which is sure to have increased by now.


Thomas Campbell MacLennan, Alexander Iain Fraser and Jason Daniel Baker of FRP Advisory LLP were appointed as Joint Administrators of Team Rock Limited (“the Company”) on 19 December 2016. The affairs, business and property of the Company are being managed by the Joint Administrators, who act as agents of the Company and without personal liability. The Company is being managed on a care and maintenance basis only whilst a buyer for the assets is sought. Accordingly, the TeamRock website will be unavailable for the foreseeable future. The administrators are assessing the position regarding publication of magazines. If you are a subscriber to the Company’s publications the administrators can be contacted via email at

Orange Goblin frontman Ben Ward has launched a Crowdfunding campaign to help those who have lost their jobs.

“Today, 73 members of the Team Rock staff were told that the company is going into liquidation and that they are being made redundant with immediate effect with ZERO pay,” he said in a statement. “These are good, hard-working, committed people that through Metal Hammer, Classic Rock, Prog Rock, TeamRock Radio and more, have supported the rock and heavy metal scene in this country for decades and now we, the rock community, need to pull together to help give something back.”


Wednesday, 14 December 2016

More than a century of murder.


Looking Good Dead - Peter James book review.

Looking Good Dead is the second in Peter James' Roy Grace series and after enjoying the first book, Dead Simple I jumped straight into this novel. The plot this time around is high concept - snuff movies. It all kicks off when Tom Bryce finds someone had left a CD on the train and when he later puts it into his own computer he finds himself watching a brutal murder. Shortly afterwards some virus hidden amongst the coding of the snuff movie wipes Tom's hard drive clean but not before warning him against going to the police. However Tom is persuaded by his wife to report the movie and when he does all hell breaks loose - this culminates in Tom and his wife being kidnapped in order to be the lead actors in a forthcoming snuff movie.

The author uses the same TICKING CLOCK device to create tension in this novel as he used so memorably in the previous book in the series. In the earlier novel a character was buried alive in a coffin and the suspense was driven by the fact that he had to be found before he died. And this time around the author  has two characters kidnapped - the clock is ticking for these characters with the reader aware that they are soon to be killed as part of a snuff movie. Will the police find them in time? It's all very effective and marks this book out as a crime thriller rather than a traditional whodunnit. The reader know what is happening all along, but the police of course are clueless and simply blunder around while the story plays itself out.

I enjoyed the previous book, see my review HERE and this second book in the series improves on that book with the central character of Detective Roy Grace now fully formed and becoming something of a tragic man - there's a sadness, a desperation about him.

 I'm certainly going to read more books in this series - Dead good, that was.

Thursday, 8 December 2016

The Bridge season 2

After being blown away by the first season of The Bridge, I turned to the American re-make but lasted for only six episodes. It was OK but it had a lot to live up to and I couldn't accept anyone other than Sofia Helin in the lead role. I did like the American/Mexican storyline and had I seen the show before the original Swedish/Danish series I might have liked it a lot more, but once you've seen Sofia Helin in those leather trousers then everything else pales to insignificance. I so I went straight to the second season of the Swedish/Danish original.

Incredibly season two was even better than the first season, even if the plot did meander into some pretty far fetched territory - in fact the plot, involving a group of eco terrorists, wouldn't be out of place in a James Bond movie. And its all the better for it - on the surface it looks like a grimy noir with realism triumphing over fancy, but wash away the surface sludge and a pretty fantastical plot is revealed. A plot that is twisty, turny and tantalising. There's not a lot of out and out humour to punctuate the misery (and there is plenty) but instead there is the subtle humour derived from Saga Noren and her interactions with the other characters. Her penchant  to openly talk about sex and the problems it entails is absolutely priceless - the reactions of her main sparring partner, Martin Rhode (Kim Bodnia) are highly nuanced and the pair are simply the best TV COP double-act since Regan and Carter.

That this season ends -BIG FAT SPOILERS AHEAD - with Martin being hauled off to prison, dobbed in by Saga herself, would seem to set up an intriguing premise for the third season. And that was the intentions of the show runners but Kim Bodnia decided he was quitting the show before starting work on the third season, forced their hands. The third season then doesn't feature Martin at all and I wonder if that will change the dynamic of the show. Sega Noren is an absolutely superb character, one of the most interesting in all of crime TV, but she could be somewhat deminished without the heart provided by her co-star.


I'm immediately moving onto the third season now - I just can't get enough of this show. After that I may try the Anglo/French re-make, The Tunnel. OK, so I was dissapointed by the American version of the show but I'm going to give The Tunnel a try but what I'm really waiting for is a fourth season of the Swedish/Danish original. Though I'm getting ahead of myself and so I load up season 3, episode 1 and PLAY.

Monday, 28 November 2016

The Bridge (2011) Original Swedish/Danish series

Nordic Noir seems perfectly suited to the darker months. There would be something truly perverse to watch drama so bleak  on a cheery summer evening. Not so when the nights draw in, and the temperature plummets. Outside the wind blows, howls, moans across a landscape of moonlight and skeletal trees .

Capture that image if you can, keep it in mind for it is the perfect backdrop as we lock the doors, close the windows and draw the curtains. There has never been a better time
to  sit before the fire, a single malt in hand and binge on some of the best crime television around. This is just what I did recently when I sat and watched the ten episodes that make up season one of The Bridge. Original language and subtitles, of course.

Saga Noren, played by Sofia Helin, is an excellent creation - she seems to be equal parts Sherlock Homes and Lisbeth Salander, with a dash of Mr Spock thrown in. Her Watson is Dutch police officer, Martin Rhodes (Kim Bodnia) who provides the heart of the story as well as being a useful counterpoint to Saga's lack of emotion.

The story starts with a body left on the Øresund Bridge which connects Sweden to Denmark. The body has been placed along the border between the two countries which means that both the Swedish and Danish police authorities have an interest in the case. Things get complicated when it is discovered that this is actually two bodies - the top half belonging to a Swedish politician while the legs are from a Danish prostitute. It soon become clear that the killer, a man who calls himself the Truth Terrorist, is making a point. That point being - we are not all equal in the eyes of the law. The prostitute was killed many months back, her body kept in deep freeze until it was needed to join the upper half of the politician on the bridge. Her disappearance was briefly investigated and then forgotten.

The killer soon contacts the press and claims he is committing these crimes to highlight some very real social problems. He has other points to make -  which will lead to ever more audacious crimes - poisoning the homeless, abducting corrupt policemen and kidnapping a group of schoolchildren. However as the mismatched cops investigate it soon become clear that the killer may be one of their own and that his motives are actually much more personal and nothing to do with noble ideas of social justice.

It's an intriguing plot that is paced well throughout the entire season and I found myself immediately hooked after the first episode - For a week I found myself watching a couple of episodes a night and I enjoyed every minute. The chemistry between the two loads is pitch perfect and provides for some great character moments. Martin is the warmer character, a man who has no problems with social interactions , whilst Saga is socially awkward and finds it difficult to form real friendships or relationships. She seems to favour casual, unemotional sex and although her lifestyle is odd it is at least well ordered. The same can't be said for Martin who struggles to remain a good father and husband and soon finds everything falling down around him.

Compelling stuff then...I've still got two more seasons to watch and I'm eager to get into the second season. After that I think I'll try the American re-make, also called the Bridge, and if that's not enough I could always enter The Tunnel - which is of course the title of the French/British remake. Somehow though I doubt if any of the others will match the brilliance of Saga Noren as played here by Sofia Helin.